I just compared Inconsolata and Consolas side by side and couldn't believe how similar they actually are. Whenever I just swap between the two, it's hard to compare, since Consolas seems to run about a point bigger looking than Inconsolata, so I have to scale it back a bit to give a real comparison.
Not surprising considering the author of Inconsolata cites Consolas as his primary inspiration, but I'd never noticed exactly how close they are. Both great monospace fonts. Very nice characters, but what really makes them stand out to me is that they both manage their kerning very well, especially around thin characters. Many other monospace fonts, including M+, end up with awkward gaps that approach a full space width and give the text a slinky-like compression/decompression effect, making reading and determining word breaks at a glance difficult.
Not surprising considering the author of Inconsolata cites Consolas as his primary inspiration, but I'd never noticed exactly how close they are. Both great monospace fonts. Very nice characters, but what really makes them stand out to me is that they both manage their kerning very well, especially around thin characters. Many other monospace fonts, including M+, end up with awkward gaps that approach a full space width and give the text a slinky-like compression/decompression effect, making reading and determining word breaks at a glance difficult.