It's fascinating that the driving force here was human-driven capitalism enabled by enhanced data collection, and not data-driven decision making at all. It's risk-aversion that's draining art of its artistry, much like the effect of risk-aversion in other industries like defense. Consider how the US department of defense tends to waste money on the same old prime contractors making the same old missiles, while other places like China are utterly devastating us on technologies that radically undermine our advantage that we'd historically considered "too risky" like drones.

I wonder what the next "drones" will be for the entertainment industry? World simulation models like Genie turned into some real-time generated mix of a shared experience of movies and video games?