Yes, exactly! What's really exciting is that you will have trained yourself to think your way through the material in the same way that Wilde - or Shakespeare, or Beckett, or whoever - did. It's mind-expanding, in the best possible way.
When I was in a classical piece I'd usually come off stage speaking iambics or couplets for a while, without ever meaning to.
When I was in a classical piece I'd usually come off stage speaking iambics or couplets for a while, without ever meaning to.