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> I mean jesus christ, you'd have to be born under a rock to not know that Star Wars is a cross between a spaghetti western and a samurai flick.

And WWII movies (633 Squadron and The Dam Busters, most prominently) and a splash of sword-and-sorcery fiction (the "magic exists but is rare to the point of being near-mythical and not really thaaaaat powerful" thing is some straight Conan shit, as are some other elements and flavors in the setting—from the stories, that is, not the movies, which came too late to influence Star Wars, though, fittingly, James Earl Jones is in both).

Star Wars' greatest contribution to cinema—and it's a big one—is pioneering the multi-genre pastiche. That thing Tarantino does? Like, his whole career basically? Star Wars cleared the way for that. Proved it could work and result in a good film, proved it could make money. The most successful later entries understand that formula and lean hard into the genre-mashup and freely ripping off other works thing. Mandalorian's full of that, for instance (to the point that you can make a meta-game of watching it, playing "name what they ripped off")



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