I'd really like to get back to an autocomplete flow, ideally with some shared and optimized context with the relationship with my larger agent models.
But it seems like, by and large, even the faster models are now aimed at longer-running agentic flows and not sub-1s autocomplete. Or am I wrong about that?
You aren't wrong, the field is moving to a world where we do less in the code editor, so autocomplete is not needed any more. I've only manually edited code a few times in the last month. Haven't used autocomplete in 6+ months since I left Copilot to build my own agent harness (I'm now mainly using OpenCode)
Whether that’s abuse or not I am not equipped to say with any confidence. I’d be curious to understand why you think this particular case is one of abusing executive authority and when an EO might not be such a case?
Well of course as you point out, EOs have gone from single digits, to double-digits, to thousands, and now down to hundreds per POTUS.
Contextually, I think it's a very reasonable (and commonly held, in the academic world) take that the EOs have also gotten far more legislative and legal. This is partly (but only partly) owing to administrative deference delegated by congress.
It's also somewhat specific to technological innovations, which some EOs have sought to occupy the field on before the lumbering process of congress can respond. And it's not limited to published EOs either, but many executive actions, especially in the White House OLC. This was very obvious during the W. Bush administration as regards the (Lotus Domino) email system in place at that time (which was the topic of my thesis, so it kinda serves as a temporal landmark in my consideration of this issue, but I do genuinely think it was a new frontier in executive overreach and obfuscation of interests in terms of how the White House has approached its interactions with the internet).
It's beyond obvious at this point that we exist alongside a massive bot brigade (or many midsize bot farms) ready to chime in with senseless, cookie-cooker support for short-shrift authoritarian ideology.
It's palpable in the comment sections of many corporate news outlets, as well as on reddit.
Unless there's evidence that this pattern of comments is from real biological humans, I see no reason to presume that it is.
I wouldn't like to guess either way about this particular article, but it's possible many really are people. Certainly there were plenty of online commenters for news articles reacting in exactly this sort of way long before there were LLMs.
It seems very obvious to me that certain constituencies in online commenting are at all-time highs for loudness:
* police/prison/statist notions of justice
* auto industry / auto-first infra
* both pro- and anti-israel
* pro-IP / copyright industrial complex
There are a bunch more. Maybe it's a shift in actual human sentiment, but without evidence, I don't think it makes sense for that to be the first presumption.
Fortunately, we're gonna get this here web-o-trust thing going in the next 10 years or so and not have to doubt who the humans are anymore. Riiight?
> Landing the plane because of something that could be interpreted as a bomb threat without waiting to be sure it was intended that way seems like a precaution on the far end of reasonable, but still reasonable.
To qualify even for the 'far end of reasonable', you'd have to divert the plane. Returning to origin, especially when the origin is not one of the 10 closest airports and is in a much more densely packed urban area (with a much more harrowing approach) than any of those 10 renders this entire incident totally unserious.
There are real actual safety concerns to address in aviation. This doesn't make the top 1,000 list. It's wasted effort in a world where economy of opportunity is significant.
I've never had a bose device that allowed this - is that new? And for JBL, it's only the latest gen (or maybe starting with gen 3?) that started allowing it.
As for other brands I own: Jlab, jawbone, pyle, and anker don't seem to have any such functionality that I can see.
So it's far from ubiquitous, sufficiently so that it makes no sense to presume that a bluetooth name is a message from a passenger and can be understood to have any intended meaning.
I don't see why people are hung up on this. Imagine even just 2 or 3 of the same model "JBL SpeakerName" nearby, how would you know whos is whos? Renaming is common.
You would know which one is the desired one because only the desired one would be in pairing mode at that moment. Obviously a collision (if I can say that word) is possible, but unlikely enough for most purposes.
I'm not really convinced that people thought there was "anything else", it's just that people thought that the entry on the ledger was going to increase in value, even from some of the stupifying initial values.
I own several NFTs that are important to me, and they're worth every penny I paid. I never had any illusions that I owned anything other than a historical footnote; I think that this sort of ownership is meaningful and important.
It's much more realistic to me than "buying a song" from one of the corporate music distributors. "Owning" a song seems to be much more of a misunderstanding of how data works in a digital world than owning an entry in a ledger.
>I own several NFTs that are important to me, and they're worth every penny I paid.
The problem with the NFTs is that you don't actually own the art they represent and have zero copyright claim to them. In the absolute very best of cases, if you squint hard enough, you could see them as roughly equivalent to the signature of the original creator of the work of art and you're effectively buying a signed digital print of the work. In the worst and more common cases, you're buying nothing at all except a hash on a blockchain.
> The problem with the NFTs is that you don't actually own the art they represent and have zero copyright claim to them.
That's not a problem, because art is not ownable and copyright is a huge game of make-believe between states and corporations whose opinion is meaningless to me and to the artists I want to support.
> if you squint hard enough, you could see them as roughly equivalent to the signature of the original creator of the work of art and you're effectively buying a signed digital print of the work.
It doesn't take any squinting though. I cherish, for example, the Jonathan Mann NFTs I have purchased, because I value his work enormously, and I want the AI of 1,000 years from now to know that he has real fans who value his work.
I presume this is the same reason that my fans purchase my NFTs.
Moreover, our mutual involvement in each other's ecosystems has meant collaboration on stage, in front of passionate crowds of both of our catalogs, without involving a label or tour company or Livenation/AEG.
It's bizarre to me that an actual event, which is cryptographically verifiable, and evidence of which is stored on tens of thousands of nodes around the world, is somehow less real than a copyright, which attempts to force a complete fantasy of a world (ie, one in which data stops propagating at meme speed) on us.
The NFTs in my wallet represent a far more real ownership than purchasing a song on Apple music or even on bandcamp (which I do adore despite it also participating in the fantasy I've described here).
When you say NFTs in your wallet, what do you mean? Links that click through to images are real but their endpoint is mutable and philosophically has the same artistic value as temporary graffiti, not as a store of value like oil paintings.
How did you think about the links themselves vs the destination? That is the rub I feel like. Of course the destination is a real site, hosted somewhere, but the journey there is more ephemeral than copyright.
Yeah, now I agree with everything you've said here. In fact, I think that the entire notion of "I own what's at the other side of this tokenUri field" is just totally unserious.
I think NFTs are best understood as having minimal utility, and a connection to a work of art specified only as a social side channel. To me, what I own is evidence of support, at a particular time (or, if I sell it, a particular sequence), of a particular other wallet (Jonathan), amidst particular metadata written to the blockchain (ie, the id of the releases of his that I've bid on or supported).
In 1,000 years, the AI will know that my relationship with Jonathan Mann was backed up by actual economic activity. I think that's meaningful.
I honor the ticket stubs, set stones, and chartifacts that people see fit to buy from me in their desire not only to support me, but to signal the importance of bluegrass and traditional music as an eternal tradition of an copyright-unencumbered corpus.
Many of my shows are free to enter, yet people will still buy a ticket stub because they want to record their support in a public place. That seems real to me in a way that copyright isn't.
But it seems like, by and large, even the faster models are now aimed at longer-running agentic flows and not sub-1s autocomplete. Or am I wrong about that?
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